Interview with 7SEEDS Director Yukio Takahashi

AuthorSeptember 24, 2020

7SEEDS is an anime based mostly on the manga of the identical title by Yumi Tamura, which ran from 2001 to 2017. Although a shojo manga (i.e. focused at a younger feminine demographic), 7SEEDS is a sci-fi survival story that has accrued many followers, promoting a complete of over 6 million volumes (together with digital gross sales). The first a part of the anime adaptation was launched on Netflix Japan in June 2019, and was later adopted by a TV broadcast in January 2020. The second a part of the difference was launched on Netflix Japan on 26 March 2020.
When Natsu opens her eyes, she is surrounded by ocean. The raging waves take her to an island collectively with strangers Arashi, Semimaru and Botan. The island is roofed by wild jungle inhabited by large crops, ferocious animals and humongous bugs. As they wrestle towards these new pure enemies, a girl who claims to be their information tells them the unbelievable reality concerning the 7SEEDS plan. This concerned cryogenically preserving younger, wholesome people in order that they may survive a world catastrophe and thus save mankind from extinction. Natsu and the others are shocked to study that they’re the outcomes of the 7SEEDS mission, and now these hand-picked survivors should struggle for his or her lives.
How will they stay in a post-apocalyptic world?MANGA.TOKYO have been delighted to be given the chance to interview sequence director Yukio Takahashi.
Could you inform us the way you got here to work on this mission?
I’ve labored on anime for GONZO earlier than, and a producer on the time stated I is perhaps good for the job. I feel it was my directing work on earlier sequence that landed me the job.
What was your first impression of the manga?
The manga has lots of critical human drama so it’s simple to get sucked into. I used to be very engaged as I learn it.
Did it really feel like a shojo manga?
Honestly I learn it with out even occupied with whether or not it was a ‘shojo’ or ‘seinen’ manga, or whether or not the goal demographic was male or feminine. I used to be nervous about how we might be capable of adapt it into anime, because the manga was already a superb storyline with well-depicted characters.. However, I feel the best way it portrays the way of thinking of the characters is what provides it away as a shojo manga. What makes shojo manga tough to adapt into anime is the necessity to specific the characters’ feelings with the monologues and path fairly than merely with dialog. If we painting their emotions completely by means of dialog, then we’d simply have lots of speaking and every scene would visually look too related. When we had conferences concerning the state of affairs, we might focus on how a lot we ought to be condensing the narrative and the way we may draw out the true core of the story. It isn’t too problematic for shonen manga, because the characters have a tendency to easily say what they’re pondering.

What did you pay explicit consideration to when making this sequence?
With it having such a big solid of characters, the psychological depiction of every one would grow to be central to the story, so it was vital to watch out in how we depicted them in relation to one another. Most of the developments within the anime occur in the identical order as within the manga. We additionally needed to needless to say the anime can be streaming abroad as effectively, so we wrote the scenes in order that the abroad viewers would take pleasure in them too. I requested the pictures unit to concentrate to how they visually expressed the depth of the areas.
I’m certain it should have been tough to painting a post-apocalyptic world.
We wanted to create backgrounds not like something in the true world, so I’m certain it was lots of work for the artwork group. What made it harder but extra compelling was the truth that we had these fully fictional backdrops, however with actual buildings that had eroded with time. We mentioned how eroded the buildings ought to be with the artwork director.
Did you pay explicit consideration to the way you have been to depict the characters? Was it fairly tough as there have been so a lot of them?
Each character has their very own particular person allure, so I feel they’ve every attracted their very own set of followers. Unfortunately there simply isn’t sufficient time to place concentrate on each single character. I consulted with the pinnacle of sequence composition, and we determined to solely actually concentrate on the principle characters. By primary characters I imply Natsu, Arashi and Semimaru of Team Summer B, Hana and Haru of Team Spring, Ango, Ryo and Koruri of Team Summer A and Aramaki of Team Winter. We mainly simply tried to concentrate on the characters who have been important to the development of the story.
There are some characters with lots of motion scenes and a few with out.
According to Tamura herself, the story would progress too slowly if the main target have been solely on Natsu, which is why Hana was added so as to add extra action-packed scenes for distinction. However, Natsu remains to be the protagonist on the finish of the day. It is actually the story of her development, so we have been cautious in exhibiting her mature little by little as time glided by.
If you had to decide on, which group would you be a part of?
I feel it may very well be enjoyable to hitch Team Summer B.
Are there any characters specifically that you simply relate to?
I feel I’m closest to Natsu. I are usually a bit reserved, like her.

Are there any scenes that you simply put further coronary heart into, or that you prefer to us to pay further consideration to?
As the director, I’d such as you to concentrate to all of it. However, if I needed to choose one episode from the primary 12 episodes, then it could most likely be the story of the Ryugu shelter (from Episode 7). The material is kind of heavy, so after we tried to depict it totally the episode ended up clocking in at 32 minutes. As we would have liked to have the ability to additionally broadcast the episode on TV, I used to be virtually in tears as I needed to discover methods to chop it down. The TV model is about 22 minutes lengthy. We positively labored laborious on the Ryugu Shelter arc. The Netflix model is the complete size, so I like to recommend that followers test it out on there.
We have a query from certainly one of our readers:
_eclipso_ asks: What might be your subsequent mission after 7SEEDS
There’s nothing that I can announce proper now. I simply completed 7SEEDS on the finish of final 12 months, so we’ll need to see from right here.
Do you could have a message for the followers?
First of all, I’d be completely happy in case you may watch the sequence. If you bought into this sequence by way of the anime, I’d be very completely happy in case you may learn the manga as there may be a lot we couldn’t put in. For followers who began with the manga, I would really like so that you can take pleasure in seeing the characters shifting and speaking on-screen.
Thank you on your time.
Yukio Takahashi
From Kanagawa Prefecture.After working in anime as pictures workers and an assistant manufacturing supervisor, Takahashi made his directorial debut as an episode director of Pokonyan!. He has labored on many reveals with GONZO, and was a chief episode director on LASTEXILE -Fam, The Silver Wing-. His first work as a director was Dog & Scissors. He labored as a director on LASTEXILE -Fam, The Silver Wing- Over The Wishes and 18if (Episodes 6 and 11).
Original Work
Yumi Tamura 7SEEDS (serialized in Shogakukan’s “flowers” flower Comics α)
Director: Yukio TakahashiSequence Composition: Toko MachidaCharacter Design: Yoko SatoAnimation Production: GONZO/Studio KAI
Natsu Iwashimizu: Nao ToyamaArashi Aota: Jun FukuyamaSemimaru Asai: Katsuyuki KonishiBotan Saotome: Yoko SoumiMatsuri Tendo: Kana AsumiChimaki Yamori: Akira IshidaHotaru Kusakari: Aoi Yuki
Official Website (Japanese): Twitter (Japanese):
Official Streaming Sites: Netflix
©2019 Yumi Tamura, Shogakukan / 7SEEDS ProjectBased on the unique graphic novel “7SEEDS” by Yumi Tamura printed by Shogakukan Inc. (flowers flower comics α)

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